LSE creators

Number of items: 20.
2014
  • Barron, Anne (2014). Intellectual property and the open (information) society. In David, Matthew, Halbert, Debora (Eds.), The SAGE Handbook of Intellectual Property (pp. 4-27). SAGE Publications.
  • Barron, Anne, Evans, Mary (2014). Five Minutes with Anne Barron and Mary Evans: “Academics seldom have the opportunity to discuss issues about their profession”.
    • 2013
  • Barron, Anne (2013). Free software production as critical social practice. Economy and Society, 42(4), 597-625. https://doi.org/10.1080/03085147.2013.791510
  • Barron, Anne (24 October 2013) Open access and Creative Commons licensing: copyrights, moral rights and moral panics. Impact of Social Sciences Blog. picture_as_pdf
  • Barron, Anne (2013). Human Rights Law might not be the answer: response to Article 19’s principles on copyright.
    • 2012
  • Barron, Anne (2012). Kant, copyright and communicative freedom. Law and Philosophy, 31(1), 1-48. https://doi.org/10.1007/s10982-011-9114-1
    • 2011
  • Barron, Anne (2011). 'Graduated response' à l’Anglaise: online copyright infringement and the Digital Economy Act 2010. Journal of Media Law, 3(2), 305-347. https://doi.org/10.5235/175776311799280773
    • 2010
  • Barron, Anne (2010). Copyright infringement, 'free-riding' and the lifeworld. In Bently, Lionel, Davis, Jennifer, Ginsburg, Jane C (Eds.), Copyright and Piracy: an Interdisciplinary Critique (pp. 93-127). Cambridge University Press.
  • Barron, Anne (2010). Kapitalismus 2.0 [Capitalism 2.0]. In Becker, Karine, Gertenbach, Lars, Laux, Henning, Reitz, Tilman (Eds.), Grenzverschiebungen des Kapitalismus: Umkämpfte Räume und Orte des Widerstands [the Shifting Boundaries of Capitalism: Limits, F (pp. 137-163). Campus Verlag.
    • 2008
  • Barron, Anne (2008). Copyright infringement, 'free-riding' and the lifeworld. (LSE law, society and economy working papers 17-2008). Department of Law, London School of Economics and Political Science.
    • 2006
  • Barron, Anne (2006). Introduction: harmony or dissonance?: copyright concepts and musical practice. Social and Legal Studies, 15(1), 25-51. https://doi.org/10.1177/0964663906060972
  • Barron, Anne (2006). Copyright law's musical work. Social and Legal Studies, 15(1), 101-127. https://doi.org/10.1177/0964663906060985
  • Barron, Anne (2006). Entry on 'Copyright' for New encyclopaedia of knowledge, preliminary volume: problematizing global knowledge. Theory, Culture & Society, 23(2/3), 278-282. https://doi.org/10.1177/026327640602300237
    • 2004
  • Barron, Anne (2004). The legal properties of film. Modern Law Review, 67(2), 177-208. https://doi.org/10.1111/j.1468-2230.2004.00483.x
  • Barron, Anne (2004). Commodification and cultural form: film copyright revisited. New Formations, 52(1), 58-81.
    • 2002
  • Barron, Anne (2002). Foucault and law. In Penner, James E., Schiff, David, Nobles, Richard (Eds.), Introduction to Jurisprudence and Legal Theory: Commentary and Materials (pp. 955-1034). Oxford University Press.
  • Barron, Anne (2002). (Legal) reason and its ‘others’: recent developments in legal theory. In Penner, James E., Schiff, David, Nobles, Richard (Eds.), Introduction to Jurisprudence and Legal Theory: Commentary and Materials (pp. 1035-1121). Oxford University Press.
  • Barron, Anne (2002). Copyright law and the claims of art. Intellectual Property Quarterly, (4), 368-401.
    • 2000
  • Barron, Anne (2000). Feminism, aestheticism and the limits of law. Feminist Legal Studies, 8(3), 275-317. https://doi.org/10.1023/A:1009240600265
  • Barron, Anne (2000). Spectacular jurisprudence. Oxford Journal of Legal Studies, 20(2), 301-315. https://doi.org/10.1093/ojls/20.2.301