Items where Subject is "PN1993 Motion Pictures"

Library of Congress subjects (102130) P Language and Literature (4277) PN Literature (General) (3852) PN1993 Motion Pictures (137)
Number of items at this level: 137.
Accounting
  • Bakker, Gerben (2010). Bedrijfsstrategieën, overheidsbeleid en de Europese filmmarkt tijdens het Interbellum. Tijdschrift Voor Mediageschiedenis, 2, 13-36.
  • Bakker, Gerben (2003). Book review: Hollywood's film wars with France: film-trade diplomacy and the emergence of the French film quota policy. Business History, 45(1), 182-183. https://doi.org/10.1080/713999295
  • Bakker, Gerben (2001). Book review: In het wereldfilmstelsel: identiteit en organisatie van de Nederlandse film sedert 1945. Bijdragen En Mededelingen Betreffende de Geschiedenis der Nederlanden, 116, 429-431.
  • Bakker, Gerben (2002). Book review: engulfed: the death of Paramount Pictures and the birth of corporate Hollywood. Business History, 44(3), 146-147. https://doi.org/10.1080/713999281
  • Bakker, Gerben (2011). Book review: from betamax to blockbuster: video stores and the invention of movies on video. Business History, 53(3), 472-474. https://doi.org/10.1080/00076791.2011.563564
  • Bakker, Gerben (2010). Book review: networks of entertainment: early film distribution, 1895-1915. Business History Review, 84(1), 172-174. https://doi.org/10.1017/S000768050000146X
  • Bakker, Gerben (2007). Book review: the entertainment industry. Eh.Net, Online,
  • Bakker, Gerben (2001). Book review: the red rooster scare: making cinema American, 1900-1910. Business History, 43(3), 160-161. https://doi.org/10.1080/713999231
  • Bakker, Gerben (2001). Book review: the second century of cinema: the past and future of the moving image. Business History, 43(1), 161-162. https://doi.org/10.1080/713999212
  • Bakker, Gerben (2012). How motion pictures industrialized entertainment. Journal of Economic History, 72(4), 1036-1063. https://doi.org/10.1017/S002205071200068X
  • Bakker, Gerben (2001). Richard E. Caves. Creative Industries: Contracts between Art and Commerce. Cambridge, Mass.:Harvard University Press, 2000. ix 454 pp. ISBN 0-674-00164-8, $45.00. - Lary May. The Big Tomorrow: Hollywood and the Politics of the American Way. Chicago:University of Chicago Press, 2000. xvi 348 pp. ISBN 0-226-51162-6, $32.50. Enterprise and Society, 2(2), 392-395. https://doi.org/10.1093/es/2.2.392
  • Bakker, Gerben (2007). Structural change and the growth contribution of services: how motion pictures industrialized US spectator entertainment. (Economic History Working Papers 104/07). Department of Economic History, London School of Economics and Political Science.
  • Bakker, Gerben (2009). Time and productivity growth in services: how motion pictures industrialized entertainment. (Economic History Working Papers 119/09). Department of Economic History, London School of Economics and Political Science.
  • Bakker, Gerben (2012). Trade Follows the Film: Europe versus Hollywood in the Interwar Years. In Eisenberg, Christiane, Gestrich, Andreas (Eds.), Cultural Industries in Britain and Germany: Sport, Music and Entertainment From the Eighteenth to the Twentieth Century (pp. 139-155). Wißner-Verlag.
  • Bakker, Gerben (2003). The decline and fall of the European film industry: sunk costs, market size and market structure, 1890-1927. (Economic History Working Papers 70/03). Department of Economic History, London School of Economics and Political Science.
  • Bakker, Gerben (2007). The evolution of entertainment consumption and the emergence of cinema, 1890-1940. (Economic History Working Papers 102/07). Department of Economic History, London School of Economics and Political Science.
  • Bakker, Gerben (2012). The quality race: feature films and market dominance in the United States and Europe in the 1910s. In Neal, Steve (Ed.), The Classical Hollywood Reader . Routledge.
  • Gong, James Jianxin, Van der Stede, Wim A., Young, S. Mark (2011). Real options in the motion picture industry: evidence from film marketing and sequels. Contemporary Accounting Research, 28(5), 1438-1466. https://doi.org/10.1111/j.1911-3846.2011.01086.x
  • Young, M, Gong, J, Van der Stede, Wim A. (2009). Value creation and the possibilities for management accounting research in entertainment: the U.S. motion picture industry. In Chapman, Christopher S, Hopwood, Anthony G, Shields, Michael D (Eds.), Handbook of Management Accounting Research (pp. 1337-1352). Elsevier Science (Firm).
  • Young, S. Mark, Gong, James J., Van der Stede, Wim A. (2010). The business of making money with movies. Strategic Finance, Feb, 35-40.
    • Contemporary Turkish Studies
  • Contemporary Turkish Studies (2023). Turkey and the West: mutually suspicious perceptions in film and television. picture_as_pdf
    • Economic History
  • Fathom Consortium, Enterprise LSE (2003). Between Europe and America: the battle for silent film. London School of Economics and Political Science.
  • Bakker, Gerben (2000). America's master: the decline and fall of the European film industry in the United States. In Passerini, L (Ed.), Across the Atlantic (pp. 213-240). Presses Interuniversitaires Europeennes.
  • Bakker, Gerben (2000). American dreams: the European film industry from dominance to decline. EUI Review, (Summer), 28-36.
  • Bakker, Gerben (2004). At the origins of increased productivity growth in services. Productivity, social savings and the consumer surplus of the film industry, 1900-1938. (Economic History Working Papers 81/04). Department of Economic History, London School of Economics and Political Science.
  • Bakker, Gerben (2010). Bedrijfsstrategieën, overheidsbeleid en de Europese filmmarkt tijdens het Interbellum. Tijdschrift Voor Mediageschiedenis, 2, 13-36.
  • Bakker, Gerben (2003). Book review: Hollywood's film wars with France: film-trade diplomacy and the emergence of the French film quota policy. Business History, 45(1), 182-183. https://doi.org/10.1080/713999295
  • Bakker, Gerben (2001). Book review: In het wereldfilmstelsel: identiteit en organisatie van de Nederlandse film sedert 1945. Bijdragen En Mededelingen Betreffende de Geschiedenis der Nederlanden, 116, 429-431.
  • Bakker, Gerben (2002). Book review: engulfed: the death of Paramount Pictures and the birth of corporate Hollywood. Business History, 44(3), 146-147. https://doi.org/10.1080/713999281
  • Bakker, Gerben (2011). Book review: from betamax to blockbuster: video stores and the invention of movies on video. Business History, 53(3), 472-474. https://doi.org/10.1080/00076791.2011.563564
  • Bakker, Gerben (2010). Book review: networks of entertainment: early film distribution, 1895-1915. Business History Review, 84(1), 172-174. https://doi.org/10.1017/S000768050000146X
  • Bakker, Gerben (2007). Book review: the entertainment industry. Eh.Net, Online,
  • Bakker, Gerben (2001). Book review: the red rooster scare: making cinema American, 1900-1910. Business History, 43(3), 160-161. https://doi.org/10.1080/713999231
  • Bakker, Gerben (2001). Book review: the second century of cinema: the past and future of the moving image. Business History, 43(1), 161-162. https://doi.org/10.1080/713999212
  • Bakker, Gerben (2003). Entertainment industrialised: the emergence of the international film industry 1890-1940. Enterprise and Society, 4(4), 579-585. https://doi.org/10.1093/es/khg044
  • Bakker, Gerben (2012). How motion pictures industrialized entertainment. Journal of Economic History, 72(4), 1036-1063. https://doi.org/10.1017/S002205071200068X
  • Bakker, Gerben (2001). Richard E. Caves. Creative Industries: Contracts between Art and Commerce. Cambridge, Mass.:Harvard University Press, 2000. ix 454 pp. ISBN 0-674-00164-8, $45.00. - Lary May. The Big Tomorrow: Hollywood and the Politics of the American Way. Chicago:University of Chicago Press, 2000. xvi 348 pp. ISBN 0-226-51162-6, $32.50. Enterprise and Society, 2(2), 392-395. https://doi.org/10.1093/es/2.2.392
  • Bakker, Gerben (2007). Structural change and the growth contribution of services: how motion pictures industrialized US spectator entertainment. (Economic History Working Papers 104/07). Department of Economic History, London School of Economics and Political Science.
  • Bakker, Gerben (2009). Time and productivity growth in services: how motion pictures industrialized entertainment. (Economic History Working Papers 119/09). Department of Economic History, London School of Economics and Political Science.
  • Bakker, Gerben (2012). Trade Follows the Film: Europe versus Hollywood in the Interwar Years. In Eisenberg, Christiane, Gestrich, Andreas (Eds.), Cultural Industries in Britain and Germany: Sport, Music and Entertainment From the Eighteenth to the Twentieth Century (pp. 139-155). Wißner-Verlag.
  • Bakker, Gerben (2003). The decline and fall of the European film industry: sunk costs, market size and market structure, 1890-1927. (Economic History Working Papers 70/03). Department of Economic History, London School of Economics and Political Science.
  • Bakker, Gerben (2005). The economic history of the international film industry. Eh.Net,
  • Bakker, Gerben (2007). The evolution of entertainment consumption and the emergence of cinema 1890-1940. Advances in Austrian Economics, 10, 93-137. https://doi.org/10.1016/S1529-2134(07)10005-3
  • Bakker, Gerben (2007). The evolution of entertainment consumption and the emergence of cinema, 1890-1940. (Economic History Working Papers 102/07). Department of Economic History, London School of Economics and Political Science.
  • Bakker, Gerben (2012). The quality race: feature films and market dominance in the United States and Europe in the 1910s. In Neal, Steve (Ed.), The Classical Hollywood Reader . Routledge.
  • Silver, Gregory Mead (2010). Economic effects of vertical disintegration: the American motion picture industry, 1945 to 1955. (Economic History Working Papers 149/10). Department of Economic History, London School of Economics and Political Science.
    • European Institute
  • Cayli, Eray (1 June 2014) Toñita’s: close-up and social. m-est.org.
    • Gender Studies
  • Ghosh, Amrita, Dasgupta, Rohit K., Shringarpure, Bhakti (2024). India's imperial formations: cultural perspectives. Fairleigh Dickinson University Press.
  • Luther, Daniel (2021). The Karan Johar playbook: the open secret, male same-sex sexuality, and the 'big-brand' in Bollywood. South Asian Popular Culture, 19(2), 193 - 214. https://doi.org/10.1080/14746689.2021.1940552 picture_as_pdf
  • Pratt, Andy C., Gill, Rosalind, Spelthann, Volker (2007). Work and the city in the e-society: a critical investigation of the sociospatially situated character of economic production in the digital content industries in the UK. Information, Communication and Society, 10(6), 922-942. https://doi.org/10.1080/13691180701751155
  • Wearing, Sadie (2006-06-30 - 2006-07-02) Adapting age: representing generations in Iris [Paper]. Screen Studies Conference, Glasgow, United Kingdom, GBR.
  • Wearing, Sadie (2005-09-12 - 2005-09-14) Age and sexuality in celebrity culture: the case of Helen Mirren (57) [Paper]. Celebrity Culture Conference, Ayr, United Kingdom, GBR.
  • Wearing, Sadie (2013). Dementia and the biopolitics of the biopic: from Iris to The Iron Lady. Dementia, 12(3), 315-325. https://doi.org/10.1177/1471301213476703
  • Wearing, Sadie (2012). Exemplary or exceptional embodiment?: discourses of aging in the case of Helen Mirren and 'Calendar girls'. In Dolan, Josephine, Tincknell, Estella (Eds.), Ageing Femininities: Troubling Representations . Cambridge Scholars Press.
  • Wearing, Sadie (2007-10-06) Notes on some scandals: shame and transgenerational sex in recent cinema [Paper]. Ageing Femininities: Representation, Identities, Feminism, Bristol, United Kingdom, GBR.
  • Wearing, Sadie (2011). Notes on some scandals: the politics of shame in 'Vers le sud’. In Gill, Rosalind, Scharff, Christina (Eds.), New Femininities: Postfeminism, Neoliberalism and Identity (pp. 173-187). Palgrave Macmillan.
  • Wearing, Sadie (2023). Frames of dementia, grieving otherwise in The Father, Relic and Supernova: representing dementia in recent film. In Ward, Richard, Sandberg, Linn J. (Eds.), Critical Dementia Studies: An Introduction (pp. 100 - 115). Routledge. https://doi.org/10.4324/9781003221982-12 picture_as_pdf
  • Wearing, Sadie (2021). I am not particularly despondent yet: the political tone of Jill Craigie’s equal pay film to be a woman. Journal of British Cinema and Television, 18(4), 423-441. https://doi.org/10.3366/jbctv.2021.0588 picture_as_pdf
    • Geography and Environment
  • Gornostaeva, Galina (2007). Face-to-face interactions along the production chain and across networks: a study of film and television industry in London. International Journal of Technology, Knowledge, and Society, 6(7), 45-54.
  • Gornostaeva, Galina, Cheshire, Paul (2003). Media cluster in London. Les Cahiers de l'Institut d'Aménagement et d'Urbanisme de la Région d'Île-de-France, 135(4), 151-160.
  • Gornostaeva, Galina, Pratt, Andy C. (2006). Digitisation and face-to-face interactions: the example of the film industry in London. International Journal of Technology, Knowledge, and Society, 1(3), 101-108.
  • Gornostaeva, Galina (2008). The film and television industry in London’s suburbs: lifestyle of the rich or losers’ retreat? Creative Industries Journal, 1(1), 47-71. https://doi.org/10.1386/cij.1.1.47/1
  • Pratt, Andy C. (2007). 'Imagination can be a damned curse in this country': Material geographies of filmmaking and the rural. In Fish, Robert (Ed.), Cinematic Countrysides (pp. 127-146). Manchester University Press.
  • Pratt, Andy C., Gill, Rosalind, Spelthann, Volker (2007). Work and the city in the e-society: a critical investigation of the sociospatially situated character of economic production in the digital content industries in the UK. Information, Communication and Society, 10(6), 922-942. https://doi.org/10.1080/13691180701751155
    • Government
  • Jenco, Leigh K. (22 April 2024) What can a science fiction blockbuster teach us about China's worldview? Department of Government. picture_as_pdf
    • International Development
  • Schomerus, Mareike, Allen, Tim, Vlassenroot, Koen (2012). KONY 2012 and the prospects for change.
  • Tartir, Alaa (2015). The Wanted 18 cows, economic resistance, and Israel. The WorldPost,
    • International History
  • Black, Megan (2019). Scene/unseen: mining for the treasure of the Sierra Madre’s critique of American capitalist exploitation in Mexico. Modern American History, 2(1), 23-47. https://doi.org/10.1017/mah.2019.4
  • Moody, Paul (2013). The lion had wings: the invention of British Cinema, 1895-1939 [Doctoral thesis]. London School of Economics and Political Science. picture_as_pdf
    • International Relations
  • Barkawi, Tarak (2014). Tarak Barkawi: The Globalisation of the Hollywood War Film.
  • Buzan, Barry (2010). America in space: the international relations of Star Trek and Battlestar Galactica. Millennium: Journal of International Studies, 39(1), 175-180. https://doi.org/10.1177/0305829810371016
  • Chelotti, Nicola (2015). On movies, matrices and scope: some remarks on PTJ's keynote. Millennium: Journal of International Studies, 43(3), 980-983. https://doi.org/10.1177/0305829815578769
    • Justice and Security Research Programme
  • Schomerus, Mareike, Allen, Tim, Vlassenroot, Koen (2012). KONY 2012 and the prospects for change.
    • LSE
  • Clini, Clelia, Dasgupta, Rohit K., Yang, Yanling (Eds.) (2021). South and East Asian cinemas across borders: critical trends in transnational cinema. Routledge. https://doi.org/10.4324/9781003141563
  • Awwal, Arpana (12 July 2021) Bangladesh: film censorship in film magazines. South Asia @ LSE. picture_as_pdf
  • Bown, Alfie (2016). Book review: create or die: essays on the artistry of Dennis Hopper by Stephen Lee Naish.
  • Caballero, Lila (2014). We need to talk about Europe.
  • Celik Rappas, Ipek (2017). Book review: French-language road cinema: borders, diasporas, migration and 'New Europe' by Michael Gott.
  • Chesterton, Fiona (2014). Book review: The documentary film book edited by Brian Winston.
  • Clark, Dulma, Kendall, Lily (2014). Interview: Dulma Clark of Soul Rebel Films.
  • Draper, Tom (25 June 2020) Book review: In fading light: the films of the Amber Collective by James Leggott. LSE Review of Books. picture_as_pdf
  • Draper, Tom (5 February 2021) Book review: V.F. Perkins on movies: collected shorter film criticism edited by Douglas Pye. LSE Review of Books. picture_as_pdf
  • Georgieva, Stasi (2012). From Pyscho to YouTube: how a generation lost the ability to be shocked (guest blog).
  • Habib, Laleh (2013). Indian cinema and the politics of national belonging.
  • Hölsgens, Sander (23 July 2021) Book review: Expanded visions: a new anthropology of the moving image by Arnd Schneider. LSE Review of Books. picture_as_pdf
  • Hölsgens, Sander (25 July 2021) Book review: Expanded visions: a new anthropology of the moving image by Arnd Schneider. USApp – American Politics and Policy Blog. picture_as_pdf
  • Hölsgens, Sander (7 June 2020) Book review: Muddied Waters: the fictionalisation of ethnographic film by Toni de Bromhead. Impact of Social Sciences Blog. picture_as_pdf
  • Hölsgens, Sander (10 May 2020) Book review: Muddied waters: the Fictionalisation of Ethnographic Film by Toni de Bromhead. USApp – American Politics and Policy Blog. picture_as_pdf
  • Hölsgens, Sander (28 April 2020) Book review: muddied waters: the fictionalisation of ethnographic film by Toni de Bromhead. LSE Review of Books. picture_as_pdf
  • Hölsgens, Sander (2016). Book review: slow cinema edited by Tiago de Luca and Nuno Barradas Jorge.
  • Killen, Kimberly (2012). The pains of rendering The Iron Lady ‘palatable’.
  • Krishnakumar, Pooja (jo) (2021). Book review: Independent filmmaking in Southeast Asia: conversations with filmmakers on building, and sustaining a creative career. Media Practice and Education, 22(3), 253 - 254. https://doi.org/10.1080/25741136.2021.1961553
  • McMullin, Jaremey R., Pauls, Evelyn (2024). Audio-visual media: documentary filmmaking. In Connaughton, Stacey L., Pukallus, Stefanie (Eds.), The Routledge Handbook of Conflict and Peace Communication (pp. 301 - 310). Routledge. https://doi.org/10.4324/9781003392002-35
  • Nowell-Smith, Geoffrey (2016). Book review: the rise and fall of the UK Film Council by Gillian Doyle, Philip Schlesinger, Raymond Boyle and Lisa W. Kelly.
  • Nwonka, Clive James, Gilson, Chris (28 December 2020) Coming soon: the politics of race in American film podcast with Dr. Clive James Nwonka. USApp – American Politics and Policy Blog. picture_as_pdf
  • Scalvini, Marco (2006-08-13 - 2006-08-18) Bareback movies: men, fantasies and semen exchange [Paper]. XVI International AIDS Conference, 2006, Toronto, Canada, CAN.
  • Scalvini, Marco (22 July 2020) The ethics of creating controversial media content: exploring the moral responsibilities of producers. Parenting for a Digital Future. picture_as_pdf
  • South Asia, LSE (2012). Seeing Mumbai: media portrayals of cities in the Global South. picture_as_pdf
  • Williams, Katherine (2018). Book review: screening Stephen King: adaptation and the horror genre in film and television by Simon Brown. picture_as_pdf
  • Zwi, Daniel (2016). Book review: writing for hire: unions, Hollywood and Madison Avenue by Catherine Fisk.
    • LSE IDEAS
  • Basta, Karlo (2012). In the land of blood and honey, or how Angelina Jolie adopted Bosnia.
    • Law School
  • Griffith, J. A. G. (1973). Letter to the editor: BBC discussion on Warhol film.
    • Management
  • Introna, Lucas D., Moore, Hope, Cushman, Mike (1999). The virtual organisation - technical or social innovation?: lessons from the film industry. (Working paper series 72). Department of Information Systems, London School of Economics and Political Science.
  • Li, Yangting (4 December 2025) How AI can make foreign language films more immersive. Management. picture_as_pdf
  • Seymour, Mike, Tan, Barney, Li, Yangting (2025). The creation of immersive experiences in transcultural entertainment: an action design process focused on neural rendering. Information Systems Research, https://doi.org/10.1287/isre.2024.1079 picture_as_pdf
    • Media and Communications
  • Banaji, Shakuntala (2006). 'Reading Bollywood': the young audience and Hindi films. Palgrave Macmillan.
  • Banaji, Shakuntala (2012). Remembering Yash Chopra’s complex and critical films. picture_as_pdf
  • Banaji, Shakuntala (2014). Bollywood horror as an uncanny public sphere: genre theories, postcolonial concepts, and the insightful audience. Communication, Culture & Critique, 7(4), 453-471. https://doi.org/10.1111/cccr.12060
  • Banaji, Shakuntala (2016). Bollywood's periphery: child stars and representations of childhood in Hindi films. In O'Connor, Jane, Mercer, John (Eds.), Childhood and Celebrity . Routledge.
  • Banaji, Shakuntala (2007). Fascist imaginaries and clandestine critiques: young Hindi film viewers respond to violence, xenophobia and love in cross-border romances. In Bharat, Meenakshi, Kumar, Nirmal (Eds.), Filming the Line of Control: the Indo–pak Relationship Through the Cinematic Lens . Routledge.
  • Banaji, Shakuntala (2022). Postkolonyal korku ve Çeperlerdeki canavarlar. Altyazi, 218, picture_as_pdf
  • Banaji, Shakuntala (2002). Private lives and public spaces: the precarious pleasures of gender discourse in Raja Hindustani. Women: a Cultural Review, 13(2), 179-194. https://doi.org/10.1080/09574040210148988
  • Banaji, Shakuntala (2010). Seduced ‘outsiders’ versus sceptical ‘insiders’?: Slumdog Millionaire through its re/viewers. Participations: Journal of Audience and Reception Studies, 7(1), 1-24.
  • Banaji, Shakuntala, Masrani, Rahoul (2023). Bollywood’s London: the moral-political undertow of London’s Hindi cinema presence. In Wagner, Keith B., Lack, Roland-François (Eds.), Global London on Screen: Visitors, Cosmopolitans and Migratory Cinematic Visions of a Superdiverse City (pp. 107 - 123). Manchester University Press. https://doi.org/10.7765/9781526157577.00014 picture_as_pdf
  • Beckett, Charlie (2007). Kids TV: let them watch foreign crap?
  • Beckett, Charlie (2007). Lives of others.
  • Beckett, Charlie (2008). Time to garage the road movies?
  • Beckett, Charlie (2007). The trap is sprung.
  • Blum-Ross, Alicia (2005). Adding spice: collaborative video as an intersection between institutions and refugees in Dadaab, Kenya. The Communication Initiative.
  • Blum-Ross, Alicia (2007). Journey times: a teaching resource for exploring travel and transport through documentary film. Transport for London.
  • Blum-Ross, Alicia (2006). Reality bites: a teaching resource for viewing films about food and consumption.
  • Blum-Ross, Alicia (2007). Teaching resource: viewing ‘Persepolis’ by Marjane Satrapi and Vincent Paronnaud.
  • Blum-Ross, Alicia, Blum, Carolyn Patty (2009). Film. In Forsythe, David P. (Ed.), Encyclopedia of Human Rights . Oxford University Press (U.S.).
  • Blum-Ross, Alicia (2013). Authentic representations? Ethical quandaries in participatory filmmaking with young people. In te Riele, Kitty, Brooks, Rachel (Eds.), Negotiating Ethical Challenges in Youth Research (pp. 55-68). Routledge.
  • Blum-Ross, Alicia (2015). Filmmakers/educators/facilitators? Understanding the role of adult intermediaries in youth media production in the UK and the USA. Journal of Children and Media, 9(3), 308-324. https://doi.org/10.1080/17482798.2015.1058280
  • Blum-Ross, Alicia (2013). “It made our eyes get bigger”: youth filmmaking and place-making in East London. Visual Anthropology Review, 29(2), 89-106. https://doi.org/10.1111/var.12007
  • Blum-Ross, Alicia (2017). The filmmakers of tomorrow or the problems of today: creativity, skills and cultural identity in British youth filmmaking. In Malik, S., Chapain, C., Comunian, R. (Eds.), Community Filmmaking: Diversity, Practices and Places . Routledge.
  • Chouliaraki, Lilie (2012). Re-mediation, inter-mediation, trans-mediation. Journalism Studies, 14(2), 267-283. https://doi.org/10.1080/1461670X.2012.718559
  • Gordon, Yael (2025). Comedy and refugee liminality: transformative narratives in German comedy film Welcome to the Hartmanns. Comedy Studies, 16(2), 382 - 397. https://doi.org/10.1080/2040610X.2025.2474319 picture_as_pdf
  • Livingstone, Sonia (1987). The Implicit representation of characters in Dallas. Human Communication Research, 13(3), 399-420. https://doi.org/10.1111/j.1468-2958.1987.tb00112.x
  • Livingstone, Sonia (1989). Interpretive viewers and structured programs: the implicit representation of soap opera characters. Communication Research, 16(1), 25-57. https://doi.org/10.1177/009365089016001002
  • Mansell, Robin, Plantin, Jean-Christophe (2020). Urban futures with 5G: British press reporting. Media@LSE, Department of Media and Communications, London School of Economics and Political Science. picture_as_pdf
  • Mansell, Robin (2021). The social dilemma: a contradictory narrative about platform power. Political Economy of Communication, 8(2), 81-87. picture_as_pdf
  • Masrani, Rahoul (2016). The reel city: London, symbolic power and cinema [Doctoral thesis]. London School of Economics and Political Science.
  • Melchior, Cristiane, Seeck, Hannele, Hadi, Ratna Aini (2025). K-Drama as ecocinema? A multimodal analysis of climate hange representation in 60 globally popular Korean TV dramas. International Journal of Communication, 19, 3468 – 3491. picture_as_pdf
  • Meng, Bingchun (2012). Underdetermined globalization: media consumption via P2P networks. International Journal of Communication, 6, 467-483.
  • Pratt, Andy C., Gill, Rosalind, Spelthann, Volker (2007). Work and the city in the e-society: a critical investigation of the sociospatially situated character of economic production in the digital content industries in the UK. Information, Communication and Society, 10(6), 922-942. https://doi.org/10.1080/13691180701751155
  • Rantanen, Terhi (1986). Sähkösanomatoimistosta tietotoimistoon [From telegraph agency to news agency]. In Halila, A., Rommi, P. (Eds.), Suomen Historia [Finnish History] . Weilin + Göös.
  • Shepherd, Tamara (2009). "Rotten Tomatoes" in the field of popular cultural production. Canadian Journal of Film Studies, 18(2), 26-44.
  • Stolic, Tijana (2019). Trafficked women in the media: discursive constructions of trafficked women in three media genres [Doctoral thesis]. London School of Economics and Political Science. https://doi.org/10.21953/lse.00004210
  • Zhu, Xiaoxi (2019). A neoliberalizing Chinese cinema: political economy of the Chinese film industry in post-WTO China [Doctoral thesis]. London School of Economics and Political Science. https://doi.org/10.21953/lse.00004044
  • de la Pava Velez, Benjamin (2017). Celluloid love: audiences and representations of romantic love in late capitalism [Doctoral thesis]. London School of Economics and Political Science. https://doi.org/10.21953/lse.5oi7jyg00b67
    • Middle East Centre
  • Cabi, Marouf (2025). The visual narratives of the 1979 Iranian Revolution. Middle East Critique, 34(1), 103 - 119. https://doi.org/10.1080/19436149.2024.2309446 picture_as_pdf
    • Phelan United States Centre
  • Nwonka, Clive James, Gilson, Chris (28 December 2020) Coming soon: the politics of race in American film podcast with Dr. Clive James Nwonka. USApp – American Politics and Policy Blog. picture_as_pdf
    • Philosophy, Logic and Scientific Method
  • Frigg, Roman, Nguyen, James (2017). Of barrels and pipes: representation - as in art and science. In Bueno, Otávio, Darby, Gerorge, French, Steven, Rickles, Dean (Eds.), Thinking about Science, Reflecting on Art . Routledge. picture_as_pdf
    • Psychological and Behavioural Science
  • Ito-Jaeger, Sachiyo, Perez Vallejos, Elvira, Curran, Thomas, Crawford, Paul (2022). What's up with everyone? A qualitative study on young people's perceptions of cocreated online animations to promote mental health literacy. Health Expectations, 25(4), 1633 - 1642. https://doi.org/10.1111/hex.13507 picture_as_pdf
    • Social Policy
  • Lewis, David, Rodgers, Dennis, Woolcock, Michael (2013). The projection of development: cinematic representation as a(nother) source of authoritative knowledge? The Journal of Development Studies, 49(3), 383-397. https://doi.org/10.1080/00220388.2012.724167
  • Seckinelgin, Hakan (2023). Institutional denialism as public policy: using films as a tool to deny the Armenian genocide in Turkey. Ethnic and Racial Studies, 46(12), 2677 - 2697. https://doi.org/10.1080/01419870.2023.2176249 picture_as_pdf
    • Sociology
  • Daniel, Ronda (2016). Should sociologists care about #OscarsSoWhite?
  • Nwonka, Clive James (2020). Diversity and data: an ontology of race and ethnicity in the British Film Institute’s diversity standards. Media, Culture & Society, https://doi.org/10.1177/0163443720960926
  • Nwonka, Clive James (2021). Policing black film: racism, black resistance and the applicational dexterity of race relations in Babylon. Sociology, 55(4), 840 - 862. https://doi.org/10.1177/0038038520985793
  • Nwonka, Clive James (2020). Race and ethnicity in the UK film industry: an analysis of the BFI diversity standards. London School of Economics and Political Science. picture_as_pdf
  • Nwonka, Clive James (2021). White women, white men, and intra-racial diversity: a data-led analysis of gender representation in the UK film industry. Cultural Sociology, 15(3), 430 - 454. https://doi.org/10.1177/1749975520974565
  • Nwonka, Clive James (2022). The black neoliberal aesthetic. European Journal of Cultural Studies, 25(3), 843 - 862. https://doi.org/10.1177/1367549420973204
  • Nwonka, Clive James, Malik, Sarita (2018). Cultural discourses and practices of institutionalised diversity in the UK film sector: ‘Just get something black made’. The Sociological Review, 66(6), 1111-1127. https://doi.org/10.1177/0038026118774183