Items where Subject is "PN2000 Dramatic representation. The Theater"

Library of Congress subjects (102130) P Language and Literature (4277) PN Literature (General) (3852) PN2000 Dramatic representation. The Theater (30)
Number of items at this level: 30.
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  • Barker, Meghanne (2021). From stage to page and back again: remediating Petrushka in early Soviet children's culture. Russian Review, 80(3), 375 - 401. https://doi.org/10.1111/russ.12318
  • Entwistle, Joanne, Slater, Don (2014). Reassembling the cultural: fashion models, brands and the meaning of 'culture' after ANT. Journal of Cultural Economy, 7(2), 161-177. https://doi.org/10.1080/17530350.2013.783501
  • Hayhoe, Simon (2009). Theater by the blind. In Burch, Susan (Ed.), Encyclopedia of American Disability History . Infobase Publishing.
  • Manyozo, Linje (2002). Community theatre without community participation?: reflections on Development Support Communication Programs. Convergence, 35(4), 55-69.
  • McDonagh, Luke (2 October 2014) Gender trouble and copyright in the realm of theatre. Cardiff University School of Law and Politics Blog.
  • Polatinsky, Stefan, Hook, Derek (2008). On the ghostly father: Lacan on Hamlet. Psychoanalytic Review, 95(3), 359-385. https://doi.org/10.1521/prev.2008.95.3.359
  • Sobolev, Olga, Wrenn, Angus (2012). The only hope of the world: George Bernard Shaw and Russia. Verlag Peter Lang.
    • Public
  • Beckett, Charlie (2008). Can the media (or celebs) make you care? (A review:"Fram" at the NT).
  • Beckett, Charlie (2008). Classical war reporting.
  • Beckett, Charlie (2010). Getting a Handel on the truth: ‘Alcina’ in Vienna.
  • Beckett, Charlie (2011). Scandal! An 18th century drama of micro-blogging and super injunctions.
  • Beckett, Charlie (2008). The minotaur of Amstetten.
  • Bedell, Elaine (3 November 2021) Thursday night is the new Friday night: how the pandemic has changed the Southbank Centre. LSE COVID-19 Blog. picture_as_pdf
  • Bernard, Miriam (2013). Our age: Our stage.
  • Charlton, Ed (2017). Apartheid acting out: trauma, confession and the melancholy of theatre in Yaël Farber's He Left Quietly. Theatre Research International, 42(01), 55-71. https://doi.org/10.1017/S0307883317000062
  • Charlton, Ed (2015). From liberation to liberalization: Newtown, the Market Theatre, and Johannesburg's relics of meaning. Interventions: International Journal of Postcolonial Studies, 17(6), 826-838. https://doi.org/10.1080/1369801X.2014.998263
  • Daniel, Ronda (2016). Cathy come home: why it is still relevant 50 years on and why the world needs people like Ken Loach.
  • Friedman, Sam (2014). The hidden tastemakers: comedy scouts as cultural brokers at the Edinburgh Festival Fringe. Poetics, 44, 22-41. https://doi.org/10.1016/j.poetic.2014.04.002
  • Georgieva, Stasi (2012). From Pyscho to YouTube: how a generation lost the ability to be shocked (guest blog).
  • Greenberg, Jeremy (2014). Theatre review: Red Forest at the Young Vic.
  • Habib, Laleh (2014). Staging history: new play revisits Partition.
  • Long, Nicholas J. (2015). For a verbatim ethnography. In Flynn, Alex, Tinius, Jonas (Eds.), Anthropology, theatre and development: the transformative potential of performance (pp. 305-333). Palgrave Macmillan. picture_as_pdf
  • Micner, Tamara Felisa (2013). Book review: Trauma-tragedy: symptoms of contemporary performance.
  • Mukhopadhyay, Aparajita (6 October 2021) Book review: The colonial public and the Parsi stage: the making of the theatre of empire (1853-1893) by Rashna Darius Nicholson. LSE Review of Books. picture_as_pdf
  • Nikita, Nikita (8 December 2025) Reclaiming political agency: using theatre as resistance. Activism, Influence and Change. picture_as_pdf
  • Shipp, Leo (2024). Charles Fleetwood, the 1744 Drury Lane Riots, and pricing practices in eighteenth-century British theatre. Journal for Eighteenth-Century Studies, 47(4), 405-424. https://doi.org/10.1111/1754-0208.12956 picture_as_pdf
  • Sobolev, Olga (2016). J M Barrie and the ballets russes. International Journal of Comparative Literature and Translation Studies, 4(1), 17-22. https://doi.org/10.7575/aiac.ijclts.v.4n.1p.23
  • South Asia, LSE (2012). Britain meets Bollywood: The Wah! Wah! Girls glitter at LSE’s Peacock Theatre. picture_as_pdf
  • Wearing, Sadie (2017). Troubled men: ageing, dementia and masculinity in contemporary British crime drama. Journal of British Cinema and Television, 14(2), 125-142. https://doi.org/10.3366/jbctv.2017.0359
  • Wrenn, Angus (2007). Long letters about Ford Madox Ford: Ford's after life in the work of Harold Pinter. In Skinner, Paul (Ed.), Ford Madox Ford's Literary Contacts (pp. 225-236). Rodopi.